Showing posts with label Comics. Show all posts
Showing posts with label Comics. Show all posts

Wednesday, November 5, 2025

PLAYLIST: Mondo Radio (11/05/25)

Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: "It's a Bird! It's a Plane!", featuring sounds from the Golden Age of Comics and more. If you enjoy it, be sure to also follow the show on Bluesky, Facebook and Tumblr!

Artist - Song - Album
Allen Nurse And His Orchestra - I Love To Read The Funnies - I Love To Read The Funnies (Single)
The Four Squires - Aren't The Funnies Funny? - Aren't The Funnies Funny? (Single)
Comic Weekly Man - Episode 173 - Comic Weekly Man
Fiorello La Guardia - Reading The Comics: July, 1945 - Little Flower
Comic Parade - Hosts: Howard And Shelton - Comic Parade
Remember Alice? - I'll Never (The Turkish Ska Song) - This Is An E.P. About ...
Howard Langer - The Mechanics Of Comic Strips: Pressures & Pressure Groups - An Interview With Al Capp
John Mason Brown And Al Capp - The Comics - Town Meeting: A Twenty-Year Cavalcade
The Author Meets The Critics - The Shmoo - The Author Meets The Critics
Sammy Timberg - Superman March - The Music Of DC Comics: 75th Anniversary Collection
Lee Zahler - Batman: The Electrical Brain - The Music Of DC Comics: 75th Anniversary Collection
The Adventures Of Superman - The Baby From Krypton - The Adventures Of Superman
The Blue Beetle - Smashing The Drug Ring (Parts 1 & 2) - The Blue Beetle
The Batman Mystery Club - The Monster Of Dumphrey's Hall (Part 1) - The Batman Mystery Club

Wednesday, June 26, 2024

PLAYLIST: Mondo Radio (06/26/24)

Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: "Thrilling Adventures", featuring sounds from the Golden Age of Comics and more. If you enjoy it, don't forget to also follow the show on Facebook, Tumblr and Twitter!

Artist - Song - Album
Allen Nurse And His Orchestra - I Love To Read The Funnies - I Love To Read The Funnies (Single)
The Four Squires - Aren't The Funnies Funny? - Aren't The Funnies Funny? (Single)
Comic Weekly Man - Episode 173 - Comic Weekly Man
Fiorello La Guardia - Reading The Comics: July, 1945 - Little Flower
Comic Parade - Hosts: Howard And Shelton - Comic Parade
Cunts - Penguins Addicted To Molasses - Cunts Live
John Mason Brown And Al Capp - The Comics - Town Meeting: A Twenty-Year Cavalcade
The Author Meets The Critics - The Shmoo - The Author Meets The Critics
Howard Langer - The Mechanics Of Comic Strips: Pressures & Pressure Groups - An Interview With Al Capp
Howard Langer - The Mechanics Of Comic Strips: The Cartoonist As A Person - An Interview With Al Capp
The Adventures Of Superman - The Baby From Krypton - The Adventures Of Superman
The Blue Beetle - Smashing The Drug Ring (Parts 1 & 2) - The Blue Beetle
The Batman Mystery Club - The Monster Of Dumphrey's Hall (Part 1) - The Batman Mystery Club

Wednesday, June 21, 2023

PLAYLIST: Mondo Radio (06/21/23)

Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: "I Love to Read the Funnies", featuring sounds from the Golden Age of Comics and more. If you enjoy it, don't forget to also follow the show on Facebook, Tumblr and Twitter!

Artist - Song - Album
Allen Nurse And His Orchestra - I Love To Read The Funnies - I Love To Read The Funnies (Single)
The Four Squires - Aren't The Funnies Funny? - Aren't The Funnies Funny? (Single)
Comic Weekly Man - Episode 173 - Comic Weekly Man
Comic Parade - Hosts: Howard And Shelton - Comic Parade
Fiorello La Guardia - Reading The Comics: July, 1945 - Little Flower
Splendor - Take Me To Your Disco - Splendor
Norman Panama, Melvin Frank & Michael Kidd/Orchestra - Overture - Li'L Abner: An Original Musical Comedy
Orrin Tucker And His Orchestra - Li'l Abner - Li'l Abner (Single)
Patsy Garrett With Jerry Heffron And His Orchestra - (Lil' Abner) Don't Marry That Girl - (Lil' Abner) Don't Marry That Girl (Single)
Heritage Records - The Comics - Town Meeting: A Twenty-Year Cavalcade
Howard Langer - The Introduction/Comic Strip - An Interview With Al Capp
Freddie "Schnickelfritz" Fisher And His Orchestra - Superman - Superman (Single)
Stomp Gordon And His Orchestra - Ride Superman, Ride - Oh Tell Me Why (Single)
The Adventures Of Superman - The Baby From Krypton - The Adventures Of Superman
The Blue Beetle - Smashing The Drug Ring (Parts 1 & 2) - The Blue Beetle
The Batman Mystery Club - The Monster Of Dumphrey's Hall (Part 1) - The Batman Mystery Club

Saturday, October 12, 2013

Wednesday, June 19, 2013

VIDEO: Doctor Who Weekend (Day 1)

In honor of the show's 50th anniversary, I'm proud to present part one of an entire weekend of Network Awesome programming devoted to Doctor Who, all curated by yours truly!


Saturday, June 15, 2013

FILM REVIEW - Man of Steel


When Jerry Siegel and Joe Shuster created Superman in the early 1930s, they never could have known how iconic the character would become, how the last son of Krypton would inspire countless imitators and make the leap from the pages of DC comics to a myriad of other media. First there was the hugely successful radio drama, followed by an endless stream of animated shorts, movie serials, stage plays, feature films and a vast array of TV productions of varying quality. Put short, DC has never been shy about pimping out Supes' archetypal premise for just about anything, which makes it so strange that we've seen very little of him on the big screen in recent years, even as comic book movies grew into an unstoppable force at the box office. Before Bryan Singer's mildly received Superman Returns in 2006, there hadn't been a single Superman film in nearly 20 years (the 1997 calamity Steel notwithstanding), during which time four different actors donned Batman's cape and cowl. Seeking to borrow some of the gritty credibility Christopher Nolan brought to his Batman reboot, as well as their main competitor Marvel's seemingly Midas touch, Zack Snyder's new Man of Steel aims at reinvention, but largely ends up missing the point.

The film opens, as any Superman movie naturally would, on the planet Krypton, with its final days fast approaching. Not fast enough though; far from just recapping the classic origin story and setting up key elements to unfold later, the film quickly gets bogged down in the conflict between Russell Crowe's Jor-El and the condemned leader of a military coup, General Zod, played by a hammy Michael Shannon. When the rocket containing the newborn Kal-El finally makes its way to earth and we're granted the first glimpse of uber-bland Henry Cavill as the iconic superhero, it's not a red cape flapping in the wind or even the milquetoast mild-mannered reporter, but a bearded crab fisherman and drifter. A series of awkward flashbacks never explain quite how he ended up there, but hammer home how Pa Kent (Kevin Costner) insisted his unusual adopted son never reveal his powers. Working an incredibly dangerous job and hanging around seedy waterfront bars seems like a bad way to go about that, and indeed enterprising gal reporter Lois Lane, played by an underused Amy Adams, figures out Clark's "secret" in seemingly no time at all, but that soon becomes irrelevant when Zod escapes his imprisonment and comes to earth to call out Kal-El.

There's nothing wrong with Snyder, or co-producer Nolan, tinkering with the order of events or the details of the mythology, Superman needs to be redefined for each new generation, but in the process they've thrown out a great deal of what made the character timeless in the first place. What people find compelling about Superman is his immigrant's struggle of trying to fit into a strange culture without sacrificing what makes him special, but without the tension of balancing his dual contrasting personas, he's just a really strong guy from outer space. The perfunctory script barely gives him one discernible identity let alone two, making very little time for characterization or developing any of its subplots, particularly with his supposed love interest. Even the dialogue is stilted and weird, what little of it there is sandwiched between endless knock-down, drag-out brawls; it's basically two-and-a-half hours of shit blowing up, without a trace of wit or a sense of adventure. What's more, product placement spoils what may be the film's best action set piece, tragically taking place between a Sears, an IHOP and a 7-Eleven. Hollywood has done Superman right before, and you've got to hope the figure out how to do so again; the Man of Steel deserves better than this.

Sunday, January 20, 2013

FEATURE: Drink & Draw Social Club: Celebrating Art Under the Influence

I talk to Terry Haller, founder of the Milwaukee Chapter of the Drink & Draw Social Club, to find out why art and alcohol go so damn well together.


Monday, May 7, 2012

FILM REVIEW: The Avengers


The Avengers, directed by nerd-king Joss Whedon, is something of a coup for Marvel. Not only is it the biggest in a long line of well-received films based on their classic characters, it's also the culmination of a rather ambitious effort that aims to have the lucrative Marvel movies better reflect the comic book universe that spawned them. Though it may seem commonplace now, one of the company's most forward thinking contributions to the medium was their development of a cohesive, consistent world, a mirror of our own, which all of their creations share. It lends the fantastic adventures of colorful heroes a sense of reality, and pulls individual story lines and series into one grand, sprawling narrative. Of course, that's the intellectual appeal; it also provides an excuse for characters, who normally wouldn't meet, to come together and beat the crap out of each other.

So starting with 2008's Iron Man and continuing in Thor and Captain America: The First Avenger, Marvel has been setting the stage to bring earth's mightiest heroes together, teasing audiences with cameos by Samuel L. Jackson's Nick Fury. Comic book movies are always forced to walk something of a tightrope, to strike a balance between geeky fanboy expectations and mainstream accessibility, and here the sheer number of beloved superheroes involved just multiplies those pitfalls. Thankfully though, Whedon and company have pulled it all off, creating an ideal summer blockbuster by sticking to what already made the characters iconic and relatable, and by avoiding needless reinvention.

Like many of the big-budget action flicks from the past few years, The Avengers is long, but even though it stretches to nearly two-and-a-half hours, it never feels bloated or poorly paced. Between bringing all the main players together and forging them into a team before sending them into action to fend off an alien invasion led by the conniving Loki, there's a lot of ground to cover, and the film clicks through it at a snappy pace. Despite its busyness, it doesn't sacrifice characterization, nailing the somewhat thorny philosophical differences represented by the individualist Iron Man (played once again to smarmy perfection by Robert Downey, Jr.) and Chris Evan's duty-bound Captain America, and also by introducing a Bruce Banner (Mark Ruffalo) who may or may not be learning how to coexist with his violent alter-ego, The Hulk.

The only character who remains disappointingly two-dimensional is Hawkeye, who plays a rather large part in the action (including the climactic battle through the streets of New York), but is never given much of a personality or even a cool looking suit. They could have given him more of a back story, or indeed any back story at all, especially since much of his teammates' exposition was already fleshed out in previous films, but as it stands his presence feels like a bit of an afterthought.  It's a minor disappointment, one that will hopefully be rectified in future films, which, thanks to The Avengers now have the possibility of including any number of awesome Marvel Team-Up scenarios (personally, I want a Spiderman/X-Men or maybe a Ghost Rider/Punisher crossover). If that wasn't enough to get you excited about the future, stick around through the main credits for a glimpse of the next major villain. I don't want to ruin the surprise, but if you're geeky enough to know who it is, you will be very psyched to see him.

You could probably save yourself a few bucks and skip the 3-D version, but you'll want to see this one on the big screen. Marvel has been on an impressive streak over the last decade (which DC, even with the groundbreaking new Batman franchise, simply hasn't kept up with), releasing the kind of fun, universally appealing films we all look for as warm weather sets in. The Avengers doesn't break that trend. In fact, it takes it to a whole new level.

Friday, April 27, 2012

FEATURE: A Man With a Mask: The Flesh-and-Blood Icon of El Santo

A look at the colorful, kooky life of El Santo, the greatest luchador of them all. Even if you have little interest in professional wrestling (like me), this guy led one hell of a fascinating life, especially if you're a fan of comic books and exploitation cinema (again, like me).

Saturday, October 1, 2011

VIDEO: Collection - Superman Sells Out

When Superman burst into the American cultural consciousness in 1938, his popularity was immediate and startling in its fervor. The man of steel became an icon almost overnight, Harry Donenfeld and DC Comics did what any self-respecting business would do; they exploited the fuck out of their new smash character, leading to an advertising and merchandising bonanza which continues to this day. This collection of decades worth of commercials and PSA's, curated for Network Awesome, demonstrates that beyond being a myth and an icon and a hero, Superman is also an accomplished salesman.



Problems viewing the video? Watch on Network Awesome.
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