80s icon Adam Ant brings an updated, harder-edged sound to the Turner Hall stage, but it turns out to mostly be a case of fixing something that wasn't broken.
Showing posts with label Adam Ant. Show all posts
Showing posts with label Adam Ant. Show all posts
Wednesday, September 4, 2013
CONCERT REVIEW: Adam Ant (Turner Hall Ballroom, Milwaukee)
Labels:
2013,
Adam And The Ants,
Adam Ant,
Adam Ant Is The Blueblack Hussar In Marrying The Gunner's Daughter,
Live,
Milwaukee,
Music,
Review,
Shepherd Express,
Tour,
Turner Hall,
Turner Hall Ballroom,
Voodoo Inspector
Sunday, November 25, 2012
CONCERT REVIEW: Bow Wow Wow & Men Without Hats (Shank Hall, Milwaukee)
There's no denying that Bow Wow Wow's moment has long since passed, but Annabella Lwin and company aren't about to start acting like it.
Labels:
Adam And The Ants,
Adam Ant,
Annabella Lwin,
Bow Wow Wow,
Concert Review,
I Want Candy,
Malcolm McLaren,
Men Without Hats,
Milwaukee,
Music,
Post-Punk,
Punk,
Rock,
Shank Hall,
The Safety Dance,
UK
Monday, March 19, 2012
UPDATE: "Punk Reverance: Jubilee" on WFMU's Beware of the Blog
If you missed it the first time around, my article "Punk Reverance: Jubilee", originally penned for Network Awesome, found it's way onto WFMU's Beware of the Blog. It's one of my favorite sites, consistently funny, surprising and jam-packed with killer tunes, so be sure to do a bit of exploring afterwards.
Labels:
Adam Ant,
Beware of the Blog,
Brian Eno,
Derek Jarman,
Feature,
Jubilee,
Post-Punk,
Punk,
Siouxsie and the Banshees,
The Slits,
Update,
WFMU
Tuesday, March 13, 2012
FEATURE: Punk Reverance: Jubilee
When Bright Lights Film Journal calls Derek Jarman's Jubilee "Britain's only decent punk film", it kind of comes off as faint praise, since, truth be told, there really aren't that many UK films from the era capable of giving it much competition, which is kind of surprising, given punk's vivid visual style and rhetoric about the mass media. Still, if pointing out that it's better than The Great Rock 'n' Roll Swindle doesn't ultimately mean much, the film succeeds based on nothing more than its own merit, forging a caustic, dizzying fantasia out of punk's past, present and future.
Labels:
1970s,
Adam Ant,
Brian Eno,
Derek Jarman,
Feature,
Film,
Jayne County,
Jubilee,
Music,
Network Awesome,
Post-Punk,
Punk,
Siouxsie and the Banshees,
The Slits,
UK,
Vivienne Westwood,
Wayne County
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